Amphora (Storage Jar)

Arts of Greece, Rome, and Byzantium

490-480 BCE

Attributed to the Michigan Painter
Greek; Athens

On one side of this vase, Dionysos is flanked by satyrs. The god moves to the right but looks back to the left. He holds up a kantharos (drinking cup) in his left hand. Both satyrs move to the right; that on the left is ithyphallic and plays a kithara. On the other side, a maenad wearing a sakkos (hat) and holding a krotala is flanked on either side by a satyr.

Status: Currently Off View
Department: Arts of Greece, Rome, and Byzantium

Artist: Michigan Painter
Title: Amphora (Storage Jar)
Place: Greece (Object made in:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 490 BCE–480 BCE
Medium: terracotta, black-figure
Dimensions: 21.2 × 13.9 × 13.9 cm (8 3/8 × 5 1/4 × 5 1/4 in.)
Credit Line: Gift of Philip D. Armour and Charles L. Hutchinson
Reference Number: 1889.97
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/254/manifest.json

Art Institute of Chicago. Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), p. 39, no. 327.
J.D. Beazley, Parlipomena, (Oxford: Clarendon Press, 1971), p. 157.
J.D. Beazley, Attic Black-Figure Vase-Painters, (New York: Hacker Art Books, 1978), no. 483.2.
Karen B. Alexander, “From Plaster to Stone: Ancient Art at the Art Institute of Chicago,” in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.

Pio Marinangeli, Rome; sold to the Art Institute of Chicago, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.