Pair of Bonbon Dishes

CC0 Public Domain Designation

Applied Arts of Europe

c. 1819-38

Paris, France

Status: Currently Off View
Department: Applied Arts of Europe

Artist: Martin-Guillaume Biennais
Title: Pair of Bonbon Dishes
Place: Paris (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1819–1838
Medium: Silver gilt and glass
Inscriptions: Marks: Dexter profile bearded man
Dimensions: H.: 22.2 cm (8 3/4 in.)
Credit Line: Gift of Mrs. Charles V. Hickox
Reference Number: 1966.102a-b
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/25109/manifest.json

Catalogue des objets d’art et d’ameublement qui garnissent le grand appartement au premier étage du palais du Prince Borghese à Rome (Rome: Imprimerie Editrice Romana, 1892), pp. 128-30 (esp. p. 129), lot 847, no. 30.
The Art Institute of Chicago, “Summer Loan Exhibitions,” Bulletin of the Art Institute of Chicago, vol. 18, no. 6 (September 1924): mentioned p. 79.
“McCormick Art to be sold in January at American-Anderson Galleries,” The Art News, vol. XXXII, no. 10 (9 December 1933): p. 127.
“Historic Silver and Fine Tapestries Feature McCormick Sale,” The Art Digest, vol. VIII, no. 6 (15 December 1933): p. 15.
“McCormick Art Collection Now on Exhibition,” The Art News, vo. XXXII, no. 12 (23 December 1933): p. 16.
Anderson Galleries, The Collection of Mrs. Rockefeller McCormick (New York: American Art Association, 1934): p. 105, lots 681-2.
“Exhibitions and Sales,” Antiques, vol. XXV, no. 1 (January 1934): pp. 25-26 [1966.105 (ill.)].
“McCormick Auction,” The Art News, vol. XXXII, no. 15 (13 January 1934): pp. 3, 14.
“Exhibitions and Sales,” Antiques, vol. XXV, no. 2 (February 1934): pp. 69-71.
“New York Sales,” The Connoisseur, vol. 93, no. 390 (February 1934): pp. 135-136.
“American Art Sales,” Apollo, vol. XIX, no. 3 (March 1934): p. 174.
John Maxon, “Report of the Associate Director,” The Art Institute of Chicago Annual Report 1965-1966, p. 34, p. 11 (ill.).
Allen Wardwell, “Continental Decorative Arts at The Art Institute of Chicago,” Antiques, XCII, no. 4, (October 1967): p. 513 (ill.).
Eleanor Page, “A Princely Table Service,” Chicago Tribune (20 April 1970): p. B14.
John W. Keefe, et. al., Selected Works of 18th Century French Art in the Collections of the Art Institute of Chicago, (Chicago: The Art Institute of Chicago, 1976), pp. 162-171, cat. 267 (ill.).
Celia Hilliard, “’Higher Things’: Remembering the Early Antiquarians,” Art Institute of Chicago Museum Studies, vol. 28, no. 2 Gift Beyond Measure: The Antiquarian Society and European Decorative Arts, (2002): mentioned p. 16.

Rome, Palais Borghese, Apartment du Prince Borghese, March 24 – March 26, 1892.
Chicago, The Art Institute of Chicago, Summer Loan Exhibition, July 1 – October 1, 1924.
Chicago, The Art Institute of Chicago, The Paulina Borghese Silver, October 1924 – November, 1932.
New York, Anderson Galleries, The Collection of Mrs. Rockefeller McCormick, December 28, 1933 – January 6, 1934.
Chicago, The Art Institute of Chicago, Selected Works of 18th Century French Art in the Collections of the Art Institute of Chicago, January 24 – March 28, 1976.

Commissioned by Pauline Bonaparte or Prince Camillo Borghese (per Italian hallmarks); private collection of Pauline Bonaparte and Prince Camillo Borghese; thence by descent, Borghese Palace, Rome; sold their sale Rome, Apartment du Prince Borghese, 1892 (Lot 847, copy of catalog in curatorial file, see publication history for exact lot); possibly with Antonio Licata, Naples, 1892. With Ercole Canessa, dealer, Naples, Paris, or New York, by 1892; sold to Edith Rockefeller McCormick, Chicago, before 1924; sold her sale, New York, Anderson Galleries, The Collection of Mrs. Rockefeller McCormick, 1934 (lots 628-774, copy of catalog in curatorial file, see publication history for exact lot); collection of Charles V. and Catherine Barker Spaulding Hickox, New York, NY, until 1966; given to the Art Institute of Chicago.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.