Landscape with Rustic Cottage

CC0 Public Domain Designation

Prints and Drawings

c. 1760

François Boucher
French, 1703-1770

Status: Currently Off View
Department: Prints and Drawings

Artist: François Boucher
Title: Landscape with Rustic Cottage
Place: France (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1703–1770
Medium: Black chalk on paper
Dimensions: 31.3 × 47 cm (12 3/8 × 18 9/16 in.)
Credit Line: Purchased with funds provided by the Joseph and Helen Regenstein Foundation
Reference Number: 1966.25
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/24906/manifest.json

Harold Joachim, French Drawings and Sketchbooks of 18th Century (Chicago, 1977), no. 1A10.

New York, Charles Slatkin Gallery, “Drawings, Pastels, and Watercolors,” 1966, no. 58.
Washington, D.C., The National Gallery of Art, “François Boucher in North American Collections: 100 Drawings,” December 23, 1973-March 17, 1974, cat. 58; also traveled to The Art Institute of Chicago, April 4-May 12, 1974.
The Art Institute of Chicago, “The Helen Regenstein Collection of European Drawings,” 1974, pp. 68-69, cat. 33 (ill.), cat. by Harold Joachim.
Richmond, Va., Virginia Museum, “Three Masters of Landscape; Fragonard, Robert & Boucher,” November 10-December 28, 1981.
The Art Institute of Chicago, “The Regenstein Collection of European Drawings,” 1985-1986.
The Art Institute of Chicago, August 11, 1988-1990.
Melbourn, Australia, National Gallery of Victoria, “Pleasures and Pastorales,” February 14-April 16, 1990; also traveled to Sydney, Australia, the Art Gallery of New South Wales, May 2-June 24, 1990.
The Art Institute of Chicago, “In Context: Recent Acquisitions to the Regenstein Collection,” February 20-April 28, 1995.

Sold, October 29, 1942, anonymous sale [according to Joachim 1977]. Sold by Charles Slatkin Gallery, New York, to the Art Institute, 1966.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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