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Pleine marge (Full Margin)

A work made of broadside folio with one etching; issued loose in a red wrapper.

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  • A work made of broadside folio with one etching; issued loose in a red wrapper.

Date:

Nierendorf Gallery, New York: 1940–43

Artist:

Kurt Seligmann (American, born Switzerland, 1900-1962)
Written by André Breton (French, 1896-1966)

About this artwork

Andre Breton’s poem Pleine marge take us on a dreamy journey through Paris, where we meet the ghosts of dead theologians that roam its streets. In the mystical imagery of his accompanying etching, Kurt Seligmann reinforces the poetry’s exploration of tension between the earthly realm and the celestial. Seligmann was among the first Surrealists to flee Europe in the face of the Nazis’ rise to power. Upon landing in New York, he began studying the history, applications, and cultures associated with magic, and that interest registers in his work from the time.

Here, a pile of entrails foregrounds a magic circle depicting Christian and occult symbols—among them, a cross, ladder, serpent and wheel—referencing Heaven, Earth, and the boundaries between them. The specific theologians named in Breton’s text and those who are subtly referenced in Seligmann’s artwork concerned themselves with the supernatural, suggesting that the “full margins” of the poem’s title can be known to us if we look beyond the physical world. The cryptic date “1713,” styled as handwriting in the lower left, resembles André Breton’s initials (AB) and was sometimes used as shorthand for the poet’s identity. This, and other visual clues have led some scholars to speculate that Seligmann’s etching is a coded portrait of the poet.

Status

Currently Off View

Department

Ryerson and Burnham Libraries Special Collections

Artist

Kurt Seligmann

Title

Pleine marge (Full Margin)

Place

New York City (Object made in:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

1940–1943

Medium

Broadside folio with one etching; issued loose in a red wrapper

Inscriptions

Signed in graphite by the artist and in red pencil by the poet

Dimensions

39 × 26 cm (15 3/8 × 10 1/4 in.)

Credit Line

Mary Reynolds Collection Fund, Ryerson & Burnham Libraries

Reference Number

2019.936

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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