About this artwork
Reynolds created this binding based on Duchamp’s windows, Fresh Widow (1920) and Brawl at Austerlitz (1921). In 1936 Duchamp revisited his windows and had the Brawl printed on paper and celluloid for André Breton’s Au Lavoir noir (Paris: Editions GLM, 1936). It was enclosed loose in each of the seventy copies. Presumably, Reynolds revisited this concept with him with this inspired fenêtre binding as a result.
Duchamp created his windows with opaque panes that could not be seen through: functional objects that did not function, another of his plastic puns. Unlike Fresh Widow, the window panes on this binding are not completely darkened, but dotted with uneven holes, inviting the viewer to look in, but allowing only a glimpse of the contents.
“Pataphysics,” a concept Jarry (1873–1907) introduced in this book, is the study of a realm additional to metaphysics, a science of imaginary solutions. Pataphysics welcomes all scientific explanations for the universe, suspending all values moral, aesthetic, and otherwise. Jarry regarded reality as a cosmic joke.
-
Status
- On View, Gallery 289
-
Department
- Ryerson and Burnham Libraries Special Collections
-
Artist
- Mary Reynolds
-
Title
- Gestes et opinions du Docteur Faustroll, pataphysicien (Exploits and Opinions of Doctor Faustroll, Pataphysician)
-
Place
- Paris (Object made in:)
-
Date
- 1923
-
Medium
- Full brown leather embossed in a herringbone pattern, with black calfskin-covered, die-cut panels; gold stamping; and inlaid perforated copper sheets; green glassine endpapers and gilt edges; original paper covers bound in
-
Dimensions
- 14.5 × 10.5 × 1.7 cm (5 3/4 × 4 3/16 × 11/16 in.)
-
Credit Line
- Mary Reynolds Collection, Ryerson & Burnham Libraries
-
Reference Number
- 2019.178
Extended information about this artwork
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.
