Edward Kemeys (American, 1843–1907) American Bronze Founding Company Chicago
About this artwork
Iconic guardians of the Art Institute of Chicago, the Lions have stood at the Michigan Avenue entrance since the building’s inaugural year. The site became the museum’s permanent home at the conclusion of the 1893 World’s Columbian Exposition, where the new structure had hosted lectures and other events for fairgoers. Modeled by Edward Kemeys, an essentially self-taught artist and the nation’s first great animalier (sculptor of animals), the lion pair was unveiled on May 10, 1894. Kemeys focused his talents on sculptural portrayals of North American wildlife, capturing such native creatures in anatomical, naturalistic detail. For the Art Institute, he modeled larger-than-life African lions, the one positioned north of the steps “on the prowl” and the lion to the south “in an attitude of defiance,” (1893.1a) in Kemeys’s words. These behavioral distinctions are visible in the variation of head, tail, and stance. Each weighing in at more than two tons, the Lions were cast in Chicago by the American Bronze Founding Company.
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
George Eggers, Handbook of Sculpture, Architecture, Paintings, and Drawings: Part I: Architecture and Sculpture, part 1 (Art Institute of Chicago, 1920), 79, no cat. no.
Jane H. Clarke, “The Art Institute’s Guardian Lions,” Art Institute of Chicago Museum Studies 14, no. 1 (1988), 46–55, 102–103 (ill.).
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