Self-Portrait with Straw Boater

Prints and Drawings

1912

Gino Severini
Italian, 1883-1966

Status: Currently Off View
Department: Prints and Drawings

Artist: Gino Severini
Title: Self-Portrait with Straw Boater
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1912
Medium: Charcoal, with stumping on ivory laid paper
Inscriptions: Not signed
Dimensions: 55.1 × 45.2 cm (21 3/4 × 17 13/16 in.)
Credit Line: Margaret Day Blake Collection
Reference Number: 1965.171
Copyright: © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris

Friedrich-Markus Huebner, Moderne Kunst in den Privatsammlungen Europas: Holland (Leipzig, 1921), n.p., pl. 84.
Joshua Taylor, “Gino Severini: A Self-Portrait,” Museum Studies 2 (1967), pp. 50, 55, and 60, fig. 1.
Douglas Cooper, The Cubist Epoch, exh. cat. (New York, 1970), pp. 167 and 310, cat. 300, pl. 174.
Jean Clay, Modern Art, 1890–1918 (New York, 1978), pp. 156–57, pl. 156.
Piero Pacini, Gino Severini: Opere dal 1907–al 1959, exh. cat. (Galleria d’Arte Moderna Farsetti, 1982), n.p. (ill.).
Piero Pacini, Gli Autoritratti di Gino Severini (Cortona, 1986), n.p., fig. 12.
Daniela Fonti, Gino Severini: Catalogo ragionato (Milan, 1988), p. 124 (ill.), cat. 103A.
The Art Institute of Chicago, Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at the Art Institute of Chicago, exh. cat. (Chicago, 2003), pp. x, xi, and 179, fig. 5.

Berlin, Der Strum, “Futuristen,” 1913, cat. 22.
The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago, 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 49 (ill.).
Urbana-Champaign, Ill., Krannert Art Museum, University of Illinois at Urbana-Champaign, “Drawings from the Collections of The Art Institute of Chicago,” April 23–May 14, 1972.
Palm Beach, FL., Society of the Four Arts, “Drawings and Prints from The Art Institute of Chicago,” January 5–27, 1974, n.p., cat. 43.
New York, Wildenstein Galleries, “Modern Portraits: The Self and Others,” October 20–November 28, 1976, pp. 149, 150 (ill.), and 198, cat. 114.
Winnipeg, Canada, Winnipeg Art Gallery, “1912: The Break Up of Tradition,” August 7–October 4, 1987, pp. 206 and 207 (ill.).
Chicago, The David and Alfred Smart Gallery, University of Chicago, “Multiple Perspectives: Cubism in Chicago Collections,” October 6-December 2, 1991.
New Haven, Conn., Yale University Art Gallery, “Severini futurista: 1912–1917,” October 18, 1995–January 7, 1996, pp. 70, 71 (ill.), and 72, cat. 5; traveled to Fort Worth, Tex., Kimbell Art Museum, February 11–April 7, 1996.
The Art Institute of Chicago, “Modern and Contemporary Works on Paper,” March 24-September 13, 2009, no cat.

Van Assendelft-Hoost, Utrecht, Holland, to c. 1925 [letter of May 26, 1966 from Rafael Fernandez in the curatorial file]. Sold by B. C. Holland Gallery, Chicago, to the Art Institute, 1965.

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