About this artwork
One of Hogarth’s four major print cycles of “modern moral subjects” based on his paintings, A Harlot’s Progress is a tale of innocence led astray. As indicated by its title, which subverts that of John Bunyan’s popular Christian allegory, the 1678 Pilgrim’s Progress, Hogarth’s project traces a country girl’s loss of purity and resulting imprisonment, illness, and death. Here the gullible girl, Moll Hackabout, is seduced by the promises of a historical madam, Mother Needham, who is dressed respectably to lure naïve London newcomers into her fashionable brothel.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- William Hogarth
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Title
- Plate one, from A Harlot's Progress
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Place
- England (Artist's nationality:)
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Date
- 1732
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Medium
- Engraving in black on ivory laid paper
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Dimensions
- Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)
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Credit Line
- The Amanda S. Johnson and Marion J. Livingston Fund
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Reference Number
- 2015.216.1
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IIIF Manifest
- https://api.artic.edu/api/v1/artworks/228937/manifest.json