Saint Peter and a Donor (recto); Saint Thomas (verso)

Painting and Sculpture of Europe

c. 1520

Jacob Cornelisz. van Oostsanen (Netherlandish, c. 1470/75–by 1533)
or Workshop of Jacob Cornelisz. van Oostsanen (Netherlandish, c. 1470/75–by 1533)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Workshop of Jacob Cornelisz. van Oostsanen
Title: Saint Peter and a Donor (recto); Saint Thomas (verso)
Place: Northern Netherlands (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1515–1525
Medium: Oil on panel
Dimensions: 54.4 × 22.8 cm (21 7/16 × 9 in.)
Credit Line: Charles H. and Mary F. S. Worcester Collection
Reference Number: 1936.241
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/22866/manifest.json

Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 56, nos. 212–13.
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, p. 49, no. 44 (ill.).
Kurt Steinbart, Das Holzschnittwerk des Jakob Cornelisz von Amsterdam, Burg bei Magdeburg, 1937, p. 121, under no. 141 (1936.241).
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 134.
C[unera] V[ergeer], in Museum Boymans-van Beuningen, Van Eyck to Bruegel, 1400– 1550: Dutch and Flemish Painting in the Collection of the Museum Boymans-van Beuningen, Rotterdam, 1994, pp. 316, 317.
Jane L. Carroll, “The Paintings of Jacob Cornelisz. van Oostsanen (1472–1533),” Ph.D. diss., University of North Carolina, Chapel Hill, 1987 (Ann Arbor, Mich., University Microfilms, 1988), pp. 402–03, cat. A9, figs. 107–08.
Jeremy Dupertuis Bangs, “The Masters of Alkmaar and Hand X: The Haarlem Painters of the Van Waterlant Family,” Wallraf-Richartz-Jahrbuch 60 (1999),
pp. 113, 116, 122, 157, figs. 62–63.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 180-84, ill.

Art Institute of Chicago, A Century of Progress, 1933, nos. 22–23, as attributed to Hans von Kulmbach.

S. Newberger, New York [according to the catalogue of the Roerich sale; Newberger is given as a source for numerous pictures in this sale]. Roerich Museum, New York; sold, American Art Association, Anderson Galleries, New York, March, 27–28, 1930, no. 134, as attributed to Michael Wohlgemuth, to Worcester; Charles H. Worcester, Chicago; on loan to the Art Institute from 1930; given to the Art Institute, 1936.

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Saint Peter and a Donor (recto); Saint Thomas (verso)

Currently Off View

Date:

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.