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Schadograph

A work made of gelatin silver chloride photogram.

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  • A work made of gelatin silver chloride photogram.

Date:

1919

Artist:

Christian Schad
German, 1894-1982

About this artwork

Christian Schad was the first early 20th–century modernist to rediscover and work with the photogram. An image made without a camera by placing an object directly on photosensitive paper and exposing the paper to light, the photogram had been known since photography’s beginnings but was newly explored by the avant–garde for the abstract, formal possibilities it afforded. Tristan Tzara, the leader of the Dada art movement, who first owned this work, dubbed these photograms “Schadographs,” a play on both the artist’s name and the shadowy forms he created with household detritus. Here, the lowly materials of dust and shoestring are ennobled, transformed by the action of light.

The first fine artist to revive the photogram technique after World War I, Christian Schad is also the only one who liberated his images from the factory-made, rectilinear format standard for photographs. The unusual shapes of Schad’s photograms echo the sculptural wood reliefs that he made during the same period.

Status

Currently Off View

Department

Photography and Media

Artist

Christian Schad

Title

Schadograph

Place

Germany (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 1919

Medium

Gelatin silver chloride photogram

Inscriptions

Unmarked recto; signed and inscribed verso, upper center, in graphite: "Christian Schad / 1919"

Dimensions

Image/paper: 8.3 × 5.8 cm (3 5/16 × 2 5/16 in.); Mount: 16.3 × 12.1 cm (6 7/16 × 4 13/16 in.); Second mount: 26.9 × 23.8 cm (10 5/8 × 9 3/8 in.)

Credit Line

Purchased with funds provided by Betsy and Andy Rosenfield; through prior gifts of Max McGraw, Boardroom, Inc., the Sandor Family Collection in honor of The School of the Art Institute of Chicago, and David C. and Sarajean Ruttenberg; through prior purchase with funds provided by Peabody Fund and Anstiss and Ronald Krueck in memory of her mother, Florence Pierson Hammond; through prior purchase with Photography Purchase Fund

Reference Number

2014.1180

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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