End-grain boxwood block, with a commercially prepared gray ground, sealed with an opaque pink oil medium, and inked in black ink
Engraved on verso: KIESSLING / J. Lacraia, Suc / PARIS; written in pink on the side: "LONDRES"
204 × 353 × 23 mm
Mr. and Mrs. David C. Hilliard Fund; Meg and Mark Hausberg Fund; Mr. and Mrs. T. Stanton Amour Fund; Art and Peggy Wood Fund; Marjorie and Frank Brookes Hubachek Memorial Fund; Print and Drawing Fund; Julius Lewis Fund; Mary S. Adams Fund
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Marcel Guérin, L’oeuvre gravé de Gauguin (H. Floury, 1927; Alan Wofsy Fine Arts, 1980), cat. 19.
Musée du Luxembourg, Gauguin: Sculpteur et graveur, exh. cat. (Musée du Luxembourg, 1928), p. 13, cat. 100.
Stedelijk Museum, Vincent van Gogh en zijn tijdgenooten, exh. cat. (G. van Dorssen, 1930), p. 48, no. 182.
“Gauguin Woodcuts,” special issue, Art Digest 8, no. 10 (Feb. 15, 1939), p. 25.
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), pp. 96, 103, cat. 20.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 260, 264, 265, cat. 209, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.
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