Suffer the Little Children to Come unto Me

CC0 Public Domain Designation

Prints and Drawings

n.d.

Giambattista Tinti
Italian, 1558–1604

Status: Currently Off View
Department: Prints and Drawings

Artist: Giovanni Battista Tinti
Title: Suffer the Little Children to Come unto Me
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1578–1604
Medium: Brush and brown washes and pen and brown ink, heightened with lead-white gouache (partially discolored), on cream laid paper
Inscriptions: Inscribed recto, lower left, in pen and black ink: 131
Dimensions: Sight: 33.4 × 41 cm (13 3/16 × 16 3/16 in.)
Credit Line: Gift of Jean and Steven Goldman
Reference Number: 2018.801
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/222191/manifest.json

John A. Gere, “The Lawrence-Phillipps-Rosenbach ‘Zuccaro Album’,” Master Drawings (1970), 2, pp. 139–40, no. 48, pl. 27 (as Anonymous).
Mario Di Giampaolo, Disegni emiliani del Rinascimento, (Modena, 1989), p. 288, under no. 142.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago (Chicago, 1997), p. 387, under no. 666.
De Moustier, La collection de dessins de l’Ecole italienne du Marquis de Lagoy (1764–1829), Mémoire de recherche, Ecole du Louvre (Paris, 2013), II:183–84, no. 517.

Oberlin, Allen Memorial Museum, From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes, 1991, cat. 23, as Jacopo Ligozzi.
Art Institute of Chicago, Strokes of Genius: Italian Drawings from the Goldman Collection, Nov. 1, 2014–Feb. 1, 2015, pp. 96–97, 178, cat. 26 (color ill.).

Bartolomeo Cavaceppi (1716–1799), Rome, to Willem Anne Lestevenon (1750–c. 1830), Paris, 1788/91; to Jean-Baptiste-Florentin-Gabriel de Meryan, Marquis de Lagoy (1764–1829), Aix-en-Provence, 1805 [(Lugt 1710), as no. 111 of Lagoy’s manuscript inventory drawn in 1809–10 (“Ecole romaine ep. 3. Federico Zuccaro […] des collections Cavaceppi, Levenston”)]; to Samuel Woodburn (1786–1853), London; to Sir Thomas Lawrence (1769–1830), London [Lugt 2445]; to Samuel Woodburn; sold, Christies, London, June 4, 1860, as part of lot 1074 (as Zucchero (F. and T.)—a most interesting series of 20 drawings representing Incidents in the Life of Taddeo Zuchero […], followed by 53 specimens of their works […]). Sir Thomas Phillipps (1792¬–1872); by descent to his grandson, Thomas Fitzroy Fenwick (1856–1938); to Dr. A.S.W Rosenbach (1876–1952), Philadelphia, 1930; to the Philip H. and A.S. W. Rosenbach Foundation, Philadelphia, 1950; to the British Rail Pension Fund, 1978; sold, Sotheby’s, New York, Jan. 11, 1990, lot 51 (as Jacopo Ligozzi). Thomas Williams Fine Art, London, 1991. Sold by W. M. Brady & Co., New York, Jean and Steven Goldman, 2013; given to the Art Institute of Chicago, 2018.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.