The Nurturing of Jupiter

Prints and Drawings

n.d.

Salvator Rosa
Naples 1615–1673 Rome

Status: Currently Off View
Department: Prints and Drawings

Artist: Salvator Rosa
Title: The Nurturing of Jupiter
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1635–1673
Medium: Brush and brown and gray (possibly discolored) washes and pen and brown ink, over traces of black chalk, on tan laid paper; laid down on tan paper; ruled along edges in yellow metallic paint
Dimensions: 30.2 × 20.3 cm (11 15/16 × 8 in.)
Credit Line: Gift of Jean and Steven Goldman
Reference Number: 2018.799
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/222184/manifest.json

Luigi Salerno, Salvator Rosa, Florence, 1963, p. 130; Walter Vitzthum, I disegni dei maestri, il barocco a Napoli e nell’Italia meridionale, Milan, 1971, p. 83, pl. XV; Luigi Salerno, Salvator Rosa, exh. cat., London, Hayward Gallery, 1973, under cat. 66; Luigi Salerno, L’opera completa di Salvator Rosa, Milan, 1975, under no. 190; Michael Mahoney, The Drawings of Salvator Rosa, New York, 1977, I, no. 53.4, II, pl. 53.4; Jonathan Scott, Salvator Rosa, His Life and Times, New Haven and London, 1995, p. 252 n 15; Andreas Stolzenburg, Salvator Rosa, Genie der Zeichnung, Studien und Skizzen aus Leipzig und Haarlem, exh. cat., Leipzig, Museum der bildenden Künste and Haarlem, Teylers Museum, 1999, p. 243 n. 3; Helen Langdon, Xavier.F. Salomon and Caterina Volpi, Salvator Rosa (1615–1673): bandits, wilderness and magic, exh. cat., Dulwich Picture Gallery, 2011, under cat. Xxx?. …. .

Montréal, Musée des Beaux-Arts, Selection of Italian Drawings from North American Collections, 1970, cat.. 45 (catalogue by Walter Vitzthum); Saint Louis Art Museum, Italian Drawings selected from Mid-Western Collections, 1972, cat. 39 (catalogue by Nancy Ward Neilson); Los Angeles, County Museum of Art, Old Master Drawings from American Collections, 1976, cat. 123 (catalogue by Ebria Feinblatt); Wellesley College Museum, Jewetts Arts Center, Salvator Rosa in America, 1979, cat. 52 (catalogue by Richard W. Wallace); Naples, Museo di Capodimonte, Civilità del Seicento a Napoli, 1984, II, cat. 3.72 (catalogue by Julien Stock).
The Art Institute of Chicago, “Strokes of Genius: Italian Drawings from the Goldman Collection,” November 1, 2014-February 1, 2015.

An English 18th–Century collector, with an unidentified mount. John Maxon (1916–1977), Chicago. Private Collection Switzerland, by 1984. David Lachenmann, Zurich; sold to Jean and Steven Goldman, 2011; given to the Art Institute of Chicago, 2018.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.