Album of Landscapes and Calligraphy for Liu Songfu
Place
China (Artist's nationality:)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Inscribed by the artist on one leaf:
[Painted] in the winter of the yiwei year, the twenty-first year of the Guangxu era [November 1895 – February 1896], Xugu
Dimensions
Each leaf: 30.5 × 36.3 cm (12 × 14 1/4 in.)
Credit Line
Gift of Florence Ayscough and Harley Farnsworth MacNair
Reference Number
1943.106.25
IIIF Manifest
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Zaixin Hong, “Florence Ayscough: Pioneer Promoter of Modern Chinese Painting in America”, Collectors, Collections & Collecting the Arts of China: Histories & Challenges; ed. Steuber, Jason with Guolong Lai ( University Press of Florida, 2014), p.121, pl. 5.4
Comprehensive Illustrated Catalog of Chinese Paintings: Third Series, Vol. 1 American and Canadian Collections 1, Research Field of Art, East Asian Department, Institute for Advanced Studies on Asia, The University of Tokyo, by University of Tokyo Press, 2013; page I-22, 23, 24, No. A 3–070.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.