Lights of Other Days

Arts of the Americas

1906

John F. Peto
American, 1854–1907

Lights of Other Days, like many of John F. Peto’s still lifes, is replete with nostalgia. Strewn along a shallow shelf above a doorframe is an array of old, well-worn objects: candleholders with wax candles nearly used up, rusty oil lamps, and torn books. These discarded commonplace objects allude to older ways of life and fading memories. Peto specialized in trompe l’oeil (fools the eye) pictures; yet his soft-edged style is suggestive of the artist’s hand rather than the heightened illusionism employed by other trompe l’oeil painters such as William Harnett. Trained in Philadelphia, Peto stopped exhibiting his work at professional venues by 1890, creating compositions instead for local patrons near his New Jersey home.

Status: Currently Off View
Department: Arts of the Americas

Artist: John Frederick Peto
Title: Lights of Other Days
Place: United States (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1906
Medium: Oil on canvas
Inscriptions: Signed, on verso: "John F. Peto"
Dimensions: 77.5 × 4514 cm (30 1/2 × 45 1/4 in.)
Credit Line: Goodman Fund
Reference Number: 1956.125
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/2156/manifest.json

Judith A. Barter, “True to the Senses and False in Its Essence: Still–Life and Trompe l’Oeil Painting in Victorian America,” Museum Studies 31, 1 (Art Institute of Chicago, 2005) p. 43 (ill.).

Amsterdam, Van Gogh Museum, Light: Art, Technology, and Society in the Industrial Age, 1750–1900, Oct. 20, 2000–Feb. 11, 2001; Pittsburgh, Carnegie Museum of Art, Apr. 7–July 29, 2001.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Suggested Terms

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.