Partial and promised gift of Susan Manilow in memory of Lew Manilow
Extended information about this artwork
Christian Zervos, Pablo Picasso, vol. 1 (Paris: Cahiers d’Art, 1932), no. 332, pl, 156, as 1905.
Pierre Daix and Georges Boudaille, with Joan Rosselet, Picasso: The Blue and Rose Periods, A Catalogue Raisonné of the Paintings, 1900–1906 (Greenwich, CT: New York, Graphic Society, 1967), p. 297, no. XV.20 (ill.).
Pierre Daix, “Portraiture in Picasso’s Primitivism and Cubism,” in Picasso and Portraiture: Representation and Transformation, edited by William Rubin (New York: Museum of Modern Art, 1996), pp. 263 (ill.), 264, 266
Washington, D.C., National Gallery of Art, Picasso: The Early Years, 1892–1906, Mar. 30–July 27, 1997, cat. 159, p. 327 (ill.), as Head of a Woman (Fernande).
Art Institute of Chicago, Picasso and Chicago: 100 Years, 100 Works, Feb. 20-May 12, 2013, pp. 44–45, pl. 18.
Ambroise Vollard (1866–1939), Paris, before 1932 [Zervos 1932]; sold to Georges Salles (1889–1966), Paris; by descent [according to Thomas Gibson as quoted in letter from Lew Manilow, dated Sept. 30, 1992 in curatorial file]. Sold by Thomas Gibson Fine Art, London, to Susan and Lew Manilow, Chicago, around Sept. 1992; partially given to the Art Institute of Chicago, 2020.
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