About this artwork
For his early prints, Roussel adapted James McNeill Whistler’s methods to express his own interest in documenting the local scene, and Laburnums and Battersea is a striking example of the older artist’s influence. Roussel developed his plate through multiple states, used a variety of ink colors, and employed selective wiping to suggest differing effects of light, water, and mist. He also chose an upright format and a larger scale than his other prints depicting Chelsea and the Battersea factories on the opposite bank of the Thames River.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- Theodore Roussel
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Title
- Laburnums and Battersea
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Place
- England (Artist's nationality:)
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Date
- 1889–1890
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Medium
- Etching and drypoint in brown, with selective wiping of plate tone, on cream Japanese paper
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Dimensions
- Image/plate: 34.2 × 22.1 cm (13 1/2 × 8 3/4 in.); Sheet: 42.1 × 27.2 cm (16 5/8 × 10 3/4 in.)
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Credit Line
- Gift of Meg and Mark Hausberg
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Reference Number
- 2011.469
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IIIF Manifest
- https://api.artic.edu/api/v1/artworks/210939/manifest.json