Portrait of Stéphane Mallarmé

CC0 Public Domain Designation

Prints and Drawings

1891, printed 1919

Paul Gauguin
French, 1848-1903

Status: Currently Off View
Department: Prints and Drawings

Artist: Paul Gauguin
Title: Portrait of Stéphane Mallarmé
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1891
Medium: Etching, drypoint and engraving in brown-black on cream Japanese laid paper
Inscriptions: Monogrammed in image: "P G;"; dated "9 1" (the 9 reversed)
Dimensions: Plate: 18.3 × 14.5 cm (7 1/4 × 5 3/4 in.); Sheet: 33 × 24 cm (13 × 9 1/2 in.)
Credit Line: Albert H. Wolf Memorial Collection
Reference Number: 1935.46
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/21078/manifest.json

Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, with an essay by Raymond Cogniat (Wildenstein & Co., 1946), p. 74, cat. 86.
Haus der Kunst, Paul Gauguin, with essays by Germain Bazin and Harold Joachim, exh. cat. (Ausstellungsleitung München e.V. Haus der Kunst, 1960), p. 30, cat. 171.
Oberes Belvedere, Paul Gauguin, 1848–1903, exh. cat. (Österreichische Galerie im Oberen Belvedere, 1960), p. 43, cat. 74.
Art Institute of Chicago, Gauguin Prints (Art Institute of Chicago, 1959), n.pag. (ill.).
Margaret Haile Fuller, Loïe Fuller: Magician of Light, exh. cat. (The Museum, 1979), p. 61, cat. 38.
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), p. 44, cat. 12.
Belinda Thomson, Gauguin (Thames & Hudson, 1987), p. 126, fig. 110 (ill.).
Britt Salvesen, Gauguin, in association with Douglas W. Druick and Peter Kort Zegers, Artists in Focus (Art Institute of Chicago/Abrams, 2001), pp. 39, 42, fig. 18.
Linda Goddard, “Hierarchies of the Senses in Symbolist Criticism,” in Aesthetic Rivalries: Word and Image in France, 1880–1926 (P. Lang, 2012), pp. 17–18, fig. 1.

New York, Wildenstein and Company, “Paul Gauguin,” April 3-May 4, 1946, p. 74, cat. 86.
Munich, Haus der Kunst, “Paul Gauguin,” April 1-May 29, 1960, p. 30, cat. 171.
Vienna, Österreichische Galerie im Oberen Belvedere, “Paul Gauguin,” June 7-July 31, 1960, p. 43, cat. 74.
Richmond, Va., Virginia Museum, “Loïe Fuller: Magician of Light,” March 12-April 22, 1979, p. 61, cat. 38.

Sold by Jean Goriany, New York, to the Art Institute, 1935.

Kornfeld 12 II/IV, B.b

Guérin 14 II/II

Schniewind 13 III/IV

Cat. 26.2 Portrait of Stéphane Mallarmé, 1891, printed 1919

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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