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Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active 937-975) and Ju Ran, and later in the style of Mi Fu (1051_-1107)
Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active 937-975) and Ju Ran, and later in the style of Mi Fu (1051_-1107)
Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active 937-975) and Ju Ran, and later in the style of Mi Fu (1051_-1107)
Place
China (Object made in)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
高尚書畫先從董巨,晚參 南宮,是董米兩家之意。瑛。
Paintings of Gao Shangshu initially followed the styles of Dong Yuan and Juran; later the style of Nangong (Mi Fu, 1051–1107) was consulted. Thus Gao’s painting displays the styles of both Dong and Mi. Ying.
Dimensions
31 × 40.7 cm (12 × 16 in.)
Credit Line
Samuel M. Nickerson fund
Reference Number
1958.395.d
IIIF Manifest
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The Art Institute of Chicago 1964 Library of Congress Catalog Card Number: 64-25438, p. (12)
Comprehensive Illustrated Catalog of Chinese Paintings: Vol. 1 American and Canadian Collections, compiled by Kei Suzuki , by University of Tokyo Press, 1982; page I-37, No. A 3–022.
The Art Institute of Chicago : Ming (1368-1644) Ching (1644-1921) dynasties Exhibition 1964
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