Village

Modern Art

c. 1912

Maurice de Vlaminck
French, 1876–1958

Currently Off View: Modern Art

Artist: Maurice de Vlaminck
Title: Village
Origin: France
Date: 1907–1917
Medium: Oil on canvas
Inscriptions: Signed, l.r.: Vlaminck
Dimensions: 29 × 36 1/4 in. (73.7 × 92.1 cm)
Credit Line: Arthur Jerome Eddy Memorial Collection
Reference Number: 1931.517
Copyright: © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris

Grafton Galleries, Second Post-Impressionist Exhibition, exh. cat. (London: Ballatyne & Company, Ltd.), cat. 96, Rueil, n.d.
Association of American Painters and Sculptors, International Exhibition of Modern Art, 1913: Supplement to Catalogue Containing Additions, Errata, and Exhibits Catalogued but Not Received (n.p. 1913), as reprinted in The Armory Show: International Exhibition of Modern Art, 1913 (Arno Press, 1972), cat. 1067, as Rueil, n.d.
Association of American Painters and Sculptors, International Exhibition of Modern Art, 1913 (Chicago version, 1913), n.p., cat. 435, as Rueil.
Eddy, Arthur Jerome, Cubists and Post-Impressionism (Chicago: A. C. McClurg & Co., 1914), pp. x, 136 (ill.), as Village.
Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Chicago: Art Institute, 1922), n.p., cat. 65, as Village.
Art Institute of Chicago, Bulletin of the Art Institute of Chicago: Report for the Year Nineteen Hundred Thirty-One (Chicago: Art Institute, 1931), p. 37.
Art Institute of Chicago, The Arthur Jerome Eddy Collection of Paintings and Sculpture, exh. cat. (Chicago: Art Institute, 1931-32), pp. 6, 8, 24, 26, 29 (ill.), cat. 18, as Rueil, c. 1912.
Bulliet, C. J., “The Eddy Gift to Chicago,” Creative Art 10, 3 (March 1932), pp. 216, 217 (ill.), as Rueil, 1912.
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections, exh. cat. (Chicago: Art Institute, 1933), cat. 717, as Village (Rueil), c. 1912.
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, exh.cat. (Chicago: Art Institute, 1934), cat. 366A, as Village (Rueil), c. 1912.
Cincinnati Art Museum, Pictures for Peace: A Retrospective Exhibition Organized from the Armory Show of 1913, exh. cat. (Cincinnati: Cincinnati Art Museum, 1944), n.p., cat. 38 (ill)., as Rueil, c. 1912.
Art Institute of Chicago, Paintings in the Art Institute of Chicago (Chicago: Art Institute, 1961), p. 462, 478, as Village (Rueil), c. 1912.
Munson-Williams-Proctor Institute, Armory Show: Fiftieth Anniversary Exhibition, exh. cat. (Utica: Munson-Williams-Proctor Institute, 1963), pp. n.p. (ill.), cat. 1067, 207, 211. as Village (Rueil), 1912.
Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), pp. 4, 5, 15, 75, cat. 4C4, as Village (Rueil), c. 1912.
d’Argencourt, Louise, 1912: Break up of Tradition (Traditions et Ruptures), exh. cat. (Winnipeg: Winnipeg Art Gallery, 1987), as Village (Rueil), c. 1912.
Brown, Milton W., The Story of the Armory Show (New York: Abbeville Press, 1988), p. 322, cat. 1067, as Rueil, 1912.
Martinez, Andrew, “A Mixed Reception for Modernism: The 1913 Armory Show at The Art Institute of Chicago,” Museum Studies 19, 1 (1993), p. 44 (ill.), fig. 14, as Village (Rueil), n.d.

London, Grafton Galleries, Second Post-Impressionist Exhibition, October 5–December 31, 1912, cat. 96, Rueil, n.d.
New York, Association of American Painters and Sculptors (organizer), Armory of the 69th Infantry, International Exhibition of Modern Art, February 17–March 15, 1913, n.p., cat. 1067, as Rueil, n.d., traveled to Chicago, Art Institute, March 24–April 16, 1913, n.p., cat. 435, as Rueil; and Boston, Copley Society Hall, April 28–May 19, 1913 (New York and Chicago only).
Chicago, Art Institute, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, September 19–October 22, 1922, n.p., cat. 65, as Village.
Chicago, Art Institute, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, December 22, 1931–January 17, 1932, pp. 6, 24, no. 18, 26, 29 (ill.), as Rueil, c. 1912.
Chicago, Art Institute, A Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections, June 1–November 1, 1933, p. 80, cat. 717, as Village (Rueil), c. 1912.
Chicago, Art Institute, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, p. 53, cat. 366A, as Village (Rueil), c. 1912.
Cincinnati, Art Museum, Pictures for Peace: A Retrospective Exhibition Organized from the Armory Show of 1913, March 18–April 16, 1944, n.p., cat. 38 (ill)., as Rueil, c. 1912.
Dallas Museum of Fine Arts, The Winterbotham Collection of Twentieth Century European Paintings, October 8–November 6, 1949, as The Village.
Utica, N.Y., Munson-Williams-Proctor Institute, 1913 Armory Show: Fiftieth Anniversary Exhibition, February 17–March 31, 1963, pp. n.p. (ill.), cat. 1067, 207, 211. as Village (Rueil), 1912; traveled to New York, Armory of the 69th Regiment, April 6-28, 1963.
Winnipeg Art Gallery, 1912: Break up of Tradition (Traditions et Ruptures), August 7–October 4, 1987, pp. 232, 233 (ill.), as Village (Rueil), c. 1912.

Daniel-Henry Kahnweiler, Paris, by Oct. 1912 [London 1912]; sold to Arthur Jerome Eddy (1859-1920), Chicago, May 2, 1913 [letter from Treasurer to Henry Kahnweiler, May, 2, 1913, Walter Kuhn Papers, Archives of American Art, Series 1, Subseries 1:6, Box 1, Folder 70, copy in curatorial file]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

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