The Borghese Chapel in Santa Maria Maggiore, Rome

CC0 Public Domain Designation

Prints and Drawings

1824

Jean-Auguste-Dominique Ingres
French, 1780–1867

Status: Currently Off View
Department: Prints and Drawings

Artist: Jean Auguste Dominique Ingres
Title: The Borghese Chapel in Santa Maria Maggiore, Rome
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1824
Medium: Pen and brown ink and graphite and brush and gray and brown wash, with touches of red and ocher gouache, heightened with white gouache, on cream laid paper, laid down on cream laid card, laid down on blue matboard
Inscriptions: Signed recto, lower left, in pen and dark brown ink: "Ingres"; inscribed lower left, in graphite: "NO 1811?"
Dimensions: 17 × 13.7 cm (6 3/4 × 5 7/16 in.)
Credit Line: Gift of Richard and Mary L. Gray
Reference Number: 2022.76
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/202342/manifest.json

Charles Blanc, Ingres, sa vie et ses ouvrages (Veuve J. Renfouard, 1870), p. 244.
Daniel Ternois, “Ingres aquarelliste,” La revue des arts 2 (June 1955), p. 104 n. 7.
Hans Naef, in Ingres in Rome, exh. cat. (National Gallery of Art, 1971), p. 42, under cat. 51.
Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian (Phaidon, 1977), pp. 368, 372 n. 20.
Patricia Condon, “J.A.D. Ingres: Les dessins historiques,” Bulletin du Musée Ingres 67–68 (1995), no. 53.
Georges Viggne, Dessins d’Ingres: Catalogue raisonné des dessins du Musée de Montauban (Gallimard, 1995), p. 185, under no. 1024.
Patricia Condon, “Les dessins historiques achevés de J.-A.-D Ingres (deuxième partie),” Bulletin du Musée Ingres 69 (1996), pp. 8, 23.
Daniel Ternnois, Lettres d’Ingres à Marcotte d’ARgenteuil (Libraire des Arts et Métiers-Jacques Laget, 1999), pp. 30, 73 n. 12.
Daniel Ternois, Lettres d’Ingres à Marcotte d’Argenteuil: Dictionnaire (Jacques Laget, 2001), pp. 75, 77 n. 79, fig. 29.

Paris, École des Beaux-Arts, Ingres, 1867, cat. 232.
Paris, Hôtel de la Chambre Syndicale de la Curiosité et des Beaux-Arts, Ingres, 1921, cat. 160.
Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 56 (ill.).
Art Institute of Chicago, Pure Drawing: Seven Centuries of Art from the Gray Collection, Jan. 25–Oct. 12, 2020; traveled to New York, Morgan Library and Museum, Feb. 19–June 6, 2021.

Charles Marcotte d’Argenteuil (1773–1864); his daughter, Maria, later Mme Lengetil (1828–1920); by descent; sold, Christie’s, London, July 7, 2009, lot 55, to Richard and Mary L. Gray, Chicago (promised to the Art Institute of Chicago, 2019); given to the Art Institute of Chicago, 2022.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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The Borghese Chapel in Santa Maria Maggiore, Rome

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Inscriptions

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.