Black chalk, with stumping (recto), and black chalk, with touches of red chalk (verso), on cream laid paper
231 × 159 mm
Promised gift of Richard and Mary L. Gray
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Harald Olsen, “Federico Barocci” (Munksgaard, 1962), pp. 8, 55, 150, 188, under no. 16, pl. 21a.
Andrea Emiliani, “Federico Barocci (Urbino 1535-1612)”, 2nd ed. (Nuova Alfa, 1985), vol. 1, p. 76, figs. 71-72.
Andrea Emiliani “Federico Barocci (Urbino, 1535-1612”, 3rd ed. (Il Lavoro, 2008), vol. 1, p. 184, no. 20.25.
Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 9 (ill.).
The Art Institute of Chicago, “Pure Drawing: Seven Centuries of Art from the Gray Collection”, January 25 - May 10, 2020.
John Skippe, Ledbury; his daughter Penelope Skippe, wife of James Martin, Overbury Court, Worcestershire; their son John Martin, Overbury Court; his son Robert Martin, Overbury Court; his daughter Penelope Martin, wife of Rev. Frederick Whitmore Holland, Evesham; their younger son Edward Holland-Martin; his sister Julia Holland-Martin, wife of Algernon Cockburn Rayner-Wood, Singleton Lodge, Lancashire; their nephew Edward Holland-Martin, London; sold, Christie’s, London, Nov. 20–21, 1958, lot 82 (attributed to Lorenzo di Credi). Colnaghi, London. Private collection; sold, Christie’s, New York, Jan. 12, 1995, lot 9 (as Federico Barocci). Yvonne Tan Bunzl, London, 1996. C.G. Boerner/Artemis, New York, 2002; sold to Richard and Mary L. Gray, Chicago, Apr. 2004; promised to the Art Institute of Chicago, 2019.
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