2038

Contemporary Art

2000

Janine Antoni
American, born Bahamas 1964

Status: Currently Off View
Department: Contemporary Art

Artist: Janine Antoni
Title: 2038
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 2000
Medium: Chromogenic print, edition number four of ten
Dimensions: 50.8 × 50.8 cm (20 × 20 in.)
Credit Line: Gift of Donna and Howard Stone
Reference Number: 2022.346

Harry Philbrick, The Girl Made of Butter: Janine Antoni, exh. cat. (Ridgefield, CT: Aldrich Museum of Contemporary Art, 2000), 12 (color ill.).
David D.J. Rau, “Janine Antoni: Aldrich Museum of Contemporary Art,” New Art Examiner, 28, no. 7 (Apr. 2001): 57 (ill.).
Jerry Saltz, “The Artist Who Feel to Earth,” Artnet, Oct. 2, 2003 (color ill.), http://www.artnet.com/magazine/FEATURES/saltz/saltz10-2-03.asp
Robert Enright and Meeka Walsh, “The Beautiful Trap: Janine Antoni’s Body Art,” Border Crossings, 29, no. 1 (Feb. 2010), 40, 47 (color ill.).
James Rondeau and Judith Russi Kirshner, Contemporary Collecting: the Donna and Howard Stone Collection, exh. cat. (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2010), 32, 33 (color ill.), 137 (ill.).

Ridgefield, CT, The Aldrich Contemporary Art Museum, Janine Antoni: The Girl Made of Butter, Jan. 21–May 20, 2001, no cat. no.
Charlottesville, University of Virginia Art Museum, Janine Antoni: At Home in the Body, Mar. 16–June 13, 2010, no cat. (another edition).
Art Institute of Chicago, Contemporary Collecting: Selections from the Donna and Howard Stone Collection, June 24-Sept. 19, 2010, no cat. no.

The artist; sold through Luhring Augustine Gallery, New York, to Donna and Howard Stone, Chicago, Feb. 27, 2001 [invoice in curatorial object file]; given to the Art Institute of Chicago, Sept. 13, 2022.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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