A Woodland Study

Prints and Drawings

c. 1856

Samuel Palmer
English, 1805-1881

An English Romantic painter who was best known for his visionary landscapes, Palmer may have created this monochromatic watercolor as a preparatory study for a print. It can be related to 13 delicate etchings made by the artist in the early 1850s. The watercolor was created with graphite underdrawing, over which several brown and black washes were laid down and then heightened by opaque white paint. To emphasize the contrast between light and dark, Palmer scraped pigment off the drawing as the final phase in this considered and complex artistic process.

Status: Currently Off View
Department: Prints and Drawings

Artist: Samuel Palmer
Title: A Woodland Study
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1851–1861
Medium: Brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard
Dimensions: 22.5 × 17.2 cm (8 7/8 × 6 13/16 in.)
Credit Line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Reference Number: 2013.996
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/198867/manifest.json

Raymond Lister, Catalogue Raisonné of the Works of Samuel Palmer (New York, 1988), pp. 178-179, no. 536 (ill.).

Art Institute of Chicago, “The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection,” Mar. 15-June 15, 2014, no cat.

Private collection, England; sold through Lowell Libson to Dorothy Braude Edinburg, Brookline, MA, Feb. 2006; given to the Art Institute of Chicago, 2013.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.