Saccomazzone Players

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1621

Orazio Mochi (Italian, 1571–1625)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Orazio Mochi
Title: Saccomazzone Players
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1616–1626
Medium: Bronze
Dimensions: 36.3 × 45.7 × 30.4 cm (14 × 18 × 12 in.)
Credit Line: Gift of the Edward A. and Inge Maser Collection
Reference Number: 2009.130
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/195381/manifest.json

Hellmuth Bethe, “The Saccomazzone Groups of Florence,” The Register of the Museum of Art of the University of Kansas, Lawrence, no. 10 (June, 1958), pp. 9 (ill.), 11-12.
Hans R. Weihrauch, Europäische Bronzestatuetten, 15.-18. Jahrhunderts, Braunschweig, 1967, pp. 235, 507, n. 273.
C[harles] A[very] in Objects for a ‘Wunderkammer’, exhib. cat., London, P. and D. Colnaghi & Co., Ltd, 1981, ed. Alvar González-Palacios, p. 162, under no. 82.
Br[ook] in Il seicento fioentino: Arte a Firenze da Ferdinando I a Cosimo III, exhib. cat., Florence, Palazzo Strozzi, 1986, p. 433, under cat. 4.13.
Repertorio della scultura fiorentina del seicento e settecento, ed. Giovanni Pratesi, Turin, 1993, vol. 1, p. 89, vol. 2, pl. 341.

Chicago, Art Institute of Chicago, Chicago Collects, 20 September - 27 October, 1963.

Alfred Spero, London, 1955 [according to Bethe 1958]; sold to the University of Kansas Museum of Art, now the Spencer Museum of Art, Lawrence, Kansas, 1955 and accessioned as 1955.81; given to Edward Maser (died 1988), director of the University of Kansas Museum of Art, on his departure for the University of Chicago in 1961; Edward and Inge Maser, Chicago; bequeathed to the Art Institute of Chicago by Inge Maser, 2008.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.