Brush and black ink and gray wash on cream wove paper
Signed recto, at right edge, below center, in pen and black ink: J. C. Orozco; verso, lower left, in graphite: 4 and (partially erased): SOLDIERS RESTING; upper right, in graphite: 12-1/2 x 19-1/2 / 4-1/2 x 4 / 17 x 23-1/2
325 x 503 mm
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Alma Reed, José Clemente Orozco (New York: Delphic Studios, 1932), n. p..
Alma Reed, Orozco (Oxford University Press, 1956), p. 38.
Curtis H. Shell and John McAndrew, Catalogue of European and American Sculpture, Paintings, and Drawings at Wellesley College (Wellesley College, 1958), p. 110.
Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 206, cat. 153 (ill.).
Cambridge, Mass., Fogg Art Museum, 1953.
San Antonio, Marion Koogler McNay Art Institute, José Clemente Orozco: 1883–1949, Jan.–Feb. 1959, n.p..
Boston University School of Fine Arts, 1960.
New York, Gallery of Modern Art, Orozco: The Later Years, 1965.
The Art Institute of Chicago, Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, June 3–July 30, 2006, p. 206, cat. 153 (ill.).
Juliana Force, New York [acc. Shell and McAndrew 1958]. Sold by the Weyhe Gallery, New York, to Dorothy Braude Edinburg, Mar. 28, 1955.
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