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Paolo Soleri at Arcosanti, Cordes Junction, Arizona, from the series "Sweet Earth: Experimental Utopias in America"

A work made of chromogenic print.

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  • A work made of chromogenic print.


August 2000


Joel Sternfeld
American, born 1944

About this artwork


Currently Off View


Photography and Media


Joel Sternfeld


Paolo Soleri at Arcosanti, Cordes Junction, Arizona, from the series "Sweet Earth: Experimental Utopias in America"


United States (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 2000


Chromogenic print


No markings recto or verso Throughout the twentieth century, architects have been particularly ready to offer their visions of an idealized urban future. For Le Corbusier, a “Radiant City” would be appropriate to the machine age, providing a highly efficient and organized grid to facilitate modern life. For Frank Lloyd Wright, it was critical that everyone have their own patch of earth on which to realize their individuality: thus his “Broadacre City” not only necessitated personal land to live on, but a car to get there. The Italian-born architect Paolo Soleri is far less well-known to the public than Le Corbusier or Wright, but in the Arizona desert he is quietly building what is perhaps the world’s only true prototype of a futurist city. Arcosanti is an “Arcology,” a word used by Soleri to describe the harmonious marriage of architecture and ecology. Unlike Wright, with whom he studied, Soleri believes that it is the physical dispersal in the landscape permitted by the automobile that has led to moral and spiritual dispersal in society. By contrast, Arcosanti, planned for five thousand inhabitants, will occupy only two percent of the land normally taken up by a suburban development. Residents work no more than a ten-minute walk from their homes, eliminating the need for cars within the city—consistent with Soleri’s prophecy of the eventual extinction of the automobile. Reminiscent of the historic center of Italian cities, every aspect of Arcosanti’s design, including numerous balconies, terraces and piazzas, encourages a maximum of social interaction. Soleri is also critical of excessive consumption of resources. To avoid wasting materials, gardens, solar heating and natural cooling move the community toward self-sufficiency. Arcosanti has been under construction for thirty-five years, self-funded by the sale of distinctive wind chimes and bells that are forged on site. It is being built by students and volunteers—progress is at once achingly slow and surprisingly fast. Visitors will find a substantial and unusual small community of about fifty permanent residents, and significant glimpses of a city that feels ancient and futuristic as it rises. From the portfolio, Sweet Earth: Experimental Utopias in America, 1982–2005


Image: 26.5 × 33.2 cm (10 7/16 × 13 1/8 in.); Paper: 27.9 × 35.4 cm (11 × 13 15/16 in.)

Credit Line

Gift of Ralph and Nancy Segall

Reference Number


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