Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
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Paul-André Lemoisne, Degas et son œuvre, vol. 3 (P. Brame et C.M. De Hauke, 1946), pp. 416–17, no. 731 (as pastel over monotype).
Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 126, cat. 87 (ill.).
Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 126, cat. 87 (ill.).
Art Institute of Chicago, “Undressed: The Fashion of Privacy,” June 22-Sept. 29, 2013, no cat.
Art Institute of Chicago, “The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection,” March 15-June 15, 2014, no cat.
Estate of the artist [stamp (Lugt 658) recto, lower left, in black]; sold, 2nd Degas estate sale [stamp (Lugt 657) verso, center, in red], Galerie Georges Petit, Paris, Dec. 11–13, 1918, lot 362, to Gustave Pellet (1859–1919), Paris [Lemoisne 1946]; his son-in-law, Maurice Exsteens (1887–1962), Paris, by 1946 [Lemoisne 1946]. Sold, Sotheby’s, London, June 25, 1997, lot 119 (as pastel over monotype), to Dorothy Braude Edinburg, Brookline, MA; given to the Art Institute of Chicago, 2013.
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