Miko No Inori

A work made of video (vhs), transferred to digital, color, sound; 29:23 min. loop.

Image actions

  • A work made of video (vhs), transferred to digital, color, sound; 29:23 min. loop.




Mariko Mori
Japanese, born 1967

About this artwork

Working with a studio of designers and technicians, Mariko Mori uses sophisticated technology to realize ambitious productions in diverse media including video, large-scale photography, and 3-D imaging. Turning to fashion, pop culture, and science fiction as aesthetic templates, she creates high-gloss digital dreamscapes that refer to Buddhist thought and religious iconography while presenting an optimistic vision of a technological future. Melding Eastern and Western forms and mixing transcendental themes with open appeals to visual pleasure, the artist proposes a cultural condition in which aesthetics, spirituality, and technology intermingle.
Miko No Inori, which translates as the Shaman-Girl’s Prayer, is set in a digitally transformed version of Osaka’s international airport, which seems to be at once a vaulted temple and a sleek, futuristic space. As in many of her videos, Mori appears as a cyborg—a fantasy woman, half-machine, half-human—in this instance, dressed in a white, iridescent costume that complements her reflective ice blue eyes. She cradles and caresses a glass sphere while a haunting pop song plays. The figure recalls a fortune-teller with her proverbial crystal ball, but she also invites other interpretations that coexist uneasily: she can be seen as a bodhisattva—a spiritual guide who forgoes nirvana out of compassion for those who suffer—but she also resembles a model promoting a new product, gazing directly at the audience with her glass orb seductively in hand.

Currently Off View

Contemporary Art


Mariko Mori


Miko No Inori


United States




Video (VHS), transferred to digital, color, sound; 29:23 min. loop

Credit Line

Gift of Donna and Howard Stone

Reference Number


Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .


Sign up for our enewsletter to receive updates.

Learn more

Image actions