Kantharos (Wine Cup)

300-275 BCE

Greek; Apulia, Italy

This cup is an example of Gnathia ware, named after the ancient town (modern Egnazia) where the first examples were found. Gnathia ware is characterized by polychrome motifs and patterns created by applying purple-red, yellow, and white directly on top of black gloss before the vessels were fired.

Status: On View, Gallery 151
Department: Arts of Greece, Rome, and Byzantium

Culture: Ancient Greek
Title: Kantharos (Wine Cup)
Place: Apulia (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 300 BCE–275 BCE
Medium: terracotta, Late Gnathia ware
Dimensions: 15.4 × 18 × 13.3 cm (6 1/8 × 7 1/8 × 5 1/4 in.)
Credit Line: Gift of Philip D. Armour and Charles L. Hutchinson
Reference Number: 1889.25
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/182/manifest.json

William M.R. French, Notes [on a] journey to Europe with Mr. and Mrs. C.L. Hutchinson starting from New York Sat’y Mch. 9, 1889- , p. 26.
Karen B. Alexander, “From Plaster to Stone: Ancient Art at the Art Institute of Chicago,” in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.

The Art Institute of Chicago, Ancient Art Galleries, Gallery 155, April 20, 1994 - February 6, 2012.
The Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, March 25, 2014 - present.

Augusto Mele, Naples, Italy; sold to the Art Institute of Chicago through J.C. Fletcher as agent, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.