Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
College Park, Md., University of Maryland Art Gallery, “From Delacroix to Cézanne: French Watercolor Landscapes of the 19th Century,” October 26-December 4, 1977, pp. 107 and 110, cat. 43 (ill.), cat. by Alain de Leiris and Carol Hynning Smith; traveled to Louisville, Ky., J.B. Speed Museum of Art, January 9-February 19, 1978; and Ann Arbor, Mich., University of Michigan Museum of Art, April 1-May 14, 1978.
The Art Institute of Chicago, “Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983,” July 24-September 30, 1985, pp. 128-129, cat. 57 (ill.), cat. by Martha Tedeschi.
Estate of the artist, from 1863 [Lugt suppl. 838a]. Possibly Baron (Joseph?) Vitta (died 1942) [according to Joachim 1979]. Mame, Tours; sold, Galerie Charpentier, Paris, June 14, 1960, Mame sale, lot 13. Sold by Stephen Spector, New York, to the Art Institute, 1963.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.