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Arrival of the Normandy Train, Gare Saint-Lazare

Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.
CC0 Public Domain Designation

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  • Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.

Date:

1877

Artist:

Claude Monet
French, 1840-1926

About this artwork

The Impressionists frequently paid tribute to the modern aspects of Paris. Their paintings abound with scenes of grand boulevards and elegant, new blocks of buildings, as well as achievements of modern construction such as iron bridges, exhibition halls, and train sheds. Arrival of the Normandy Train, Gare Saint-Lazare was an especially appropriate choice of subject for Claude Monet in the 1870s. The terminal, linking Paris and Normandy, where Monet’s technique of painting outdoors had been nurtured in the 1860s, was also the point of departure for towns and villages to the west and north of Paris frequented by the Impressionists. Monet completed eight of his twelve known paintings of the Gare Saint-Lazare in time for the third Impressionist exhibition, in 1877, probably placing them in the same gallery.

Monet chose to focus his attention here on the glass-and-iron train shed, where he found an appealing combination of artificial and natural effects: the rising steam of locomotives trapped within the structure, and daylight penetrating the large, glazed sections of the roof. Monet’s depictions of the station inaugurated what was to become for him an established pattern of painting a specific motif repeatedly in order to capture subtle and temporal atmospheric changes. But the series also represented his last attempt to deal with urban realities: from this point on in his career, Monet would be largely a painter of landscapes.

Status

On View, Gallery 201

Department

Painting and Sculpture of Europe

Artist

Claude Monet

Title

Arrival of the Normandy Train, Gare Saint-Lazare

Place

France (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

1877

Medium

Oil on canvas

Inscriptions

Inscribed, lower left: Claude Monet 77

Dimensions

60.3 × 80.2 cm (23 3/4 × 31 1/2 in.)

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Reference Number

1933.1158

IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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https://api.artic.edu/api/v1/artworks/16571/manifest.json

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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