Anduze

Painting and Sculpture of Europe

1910

Albert André (French, 1869-1954)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Albert André
Title: Anduze
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1910
Medium: Oil on cardboard
Inscriptions: Signed lower left: Albert André
Dimensions: 44.5 × 62.2 cm (17 1/2 × 24 1/2 in.); Framed: 69.3 × 83.9 × 8.9 cm (27 1/4 × 33 × 3 1/2 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1103

Paris, Galeries Durand-Ruel, Tableaux par Albert André exh. cat., April 7-19, 1913, cat. 52.
Toronto Art Gallery, Exhibition of Paintings by French Artists (Toronto: Art gallery, 1922), cat. 3.
Marius Mermillon, Albert André (Paris: G. Crès & cie, c. 1927), plate 12.
A Century of Progress Exhibition of Painting and Sculpture, exh. cat. (Chicago: The Art Institute of Chicago, 1934), 43 cat. 265.
Art Institute of Chicago, Paintings in the Art Institute: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), 15.
A. James Speyer, Twentieth-Century European Paintings, compiled by Courtney Graham Donnell. (Chicago and London: The University of Chicago Press, 1980), 30 no. 1A3, plate 1A3.

Paris, Galeries Durand-Ruel, Tableaux par Albert André, Apr. 7-19, 1913, cat. 52.
Toronto, Toronto Art Gallery, Exhibition of Paintings by French Artists, Jan. 6–Feb. 5, 1922, cat. 3.
Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, June 1-Nov. 1, 1934, cat. 265.

The artist; sold to Durand-Ruel, Paris, Apr. 22, 1914 [this and the following according to correspondence with France Daguet, Durand-Ruel & Cie., Mar. 7, 1986, in curatorial object file]; sold to Martin A. Ryerson (died 1932), Chicago, 1914; bequeathed to the Art Institute, 1933.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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