Little Girl Pouting

CC0 Public Domain Designation

Painting and Sculpture of Europe

1775–1800

Follower of Jean Baptiste Greuze (French, 1725–1805)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Follower of Jean Baptiste Greuze
Title: Little Girl Pouting
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1775–1800
Medium: Oil on canvas
Dimensions: 42 × 33 cm (16 1/2 × 13 in.); Framed: 59.7 × 51.2 × 10.2 cm (23 1/2 × 20 1/8 × 4 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1079
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/16373/manifest.json

Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects Exhibited at the Opening of the New Museum (Chicago, 1893), p. 10, no. 3.
Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago, 1894), p. 73, no. 303.
Jean Martin, Oeuvre de J.-B. Greuze (Paris, 1908), p. 30, no. 438.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 160, no. 2042.
Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to The Art Institute of Chicago (unpub. MS, 1926, Ryerson Library, Art Institute of Chicago), p. 150.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 180.
Wilhelm R. Valentiner, Paintings in the Collection of Martin A. Ryerson (unpub. MS, 1932, Archives, Art Institute of Chicago), n. p.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 206.
Christopher Wright, The World’s Master Paintings from the Early Renaissance to the Present Day: A Comprehensive Listing of Works by 1,300 Painters and a Complete Guide to Their Locations Worldwide (New York, 1991), vol. 1, p. 443, vol. 2, pp. 62, 630.
Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago (Chicago, 1996), pp. 74–76, ill.
Stijn Alsteens, Raphael to Renoir: Drawings from the Collection of Jean Bonna (New York, 2009), p. 183 n. 4, under no. 81.

Chicago, World’s Columbian Exposition, 1893, revised cat., no. 3111.

Gustave Rothan (d. 1890), Paris; sold Galerie Georges Petit, Paris, May 29–31, 1890, no. 153 (ill.), as Greuze, to Durand-Ruel; sold by Durand-Ruel, Paris, to Mr. and Mrs. Martin A. Ryerson, Chicago, 1890 [according to the shipping order from Durand-Ruel dated July 16, 1890, Art Institute archives]; on loan to the Art Institute from 1893; given to the Art Institute, 1933.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.