Portrait of Isidoro Maiquez

c. 1807

Francisco José de Goya y Lucientes (Spanish, 1746–1828)

Status: On View, Gallery 220
Department: Painting and Sculpture of Europe

Artist: Francisco José de Goya y Lucientes
Title: Portrait of Isidoro Maiquez
Place: Spain (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1802–1812
Medium: Oil on canvas
Dimensions: 82.3 × 63.3 cm (32 3/8 × 24 7/8 in.); Framed: 120.4 × 94.7 cm (47 3/8 × 37 1/4 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1077
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/16367/manifest.json

Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 164.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 62.
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 71.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 71.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 159, no. 2040.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 180, no. 290.11.
José Gudiol, Goya (New York: Hyperion Press, 1941), p. 88, 95 (detail ill.).
Ronald Hilton and Lino Gómez Canedo, Los estudios hispánicos en los Estados Unidos (Madrid: Ediciones Cultura Hispánica, 1957), p. 213.
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 201.
Pierre Gassier and Juliet Wilson, The Life and Complete Work of Francisco Goya (New York, 1971), p. 374, under no. 858.
John D. Morse, Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York: Abbeville Press, 1979), p. 144.
Carlos M. Fernández-Shaw, Presencia española en los Estados Unidos (Madrid: Instituto de Cooperación Iberoamericana, 1987), p. 277; translated, (New York: Facts on File, 1991), p. 127.
José Luis Morales y Marín, Goya: A Catalogue of His Paintings (Zaragoza: Real Academia de Nobles y Bellas Artes de San Luis, 1997), p. 293, under no. 371.

Fine Arts Society of San Diego, Loan Collection of Old Spanish Paintings, February 1– March 1, 1930, cat. 7.
Art Institute of Chicago, The Art of Goya: Paintings, Drawings and Prints, January 30–March 2, 1941, cat. 81.
Colorado Springs Fine Arts Center, Paintings by the Masters, May 5–June 2, 1946, no cat. no.
Palm Beach, Society of the 4 Arts, Spanish Painting, January 11–February 6, 1952, cat. 15.
Milwaukee Art Institute, 5 Centuries of Spanish Art, September 5–October 25, 1952, cat. 32.
Syracuse Museum of Fine Arts, New York, Goya, Zurbarán and Spanish Primitives: An Exhibition of Spanish Paintings, February 3–24, 1957, cat. 29; travelled to Atlanta Art Association Galleries, March 10–24, 1957.
Madrid, Museo Nacional del Prado, Goya en tiempos de guerra, April 14–July 13, 2008, no. 51.

Possibly Anticuario Rafel García, Madrid, end of nineteenth century [according to Prado 2008]. Durand-Ruel, New York, c. 1905 [according to a letter from Durand-Ruel to Martin A. Ryerson dated January 13, 1913, copy in curatorial file]; sold to Martin A. Ryerson (died 1932), Chicago, 1913 [according to the letter cited above]; on loan to the Art Institute from 1917; bequeathed to the Art Institute, 1933.

Gassier and Wilson Under GW 858

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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