Madonna and Child

1490/1500

Workshop of Neroccio de’ Landi
Italian, 1447-1500

Status: On View, Gallery 238
Department: Painting and Sculpture of Europe

Artist: Workshop of Neroccio de' Landi
Title: Madonna and Child
Place: Siena (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1400–1475
Medium: tempera and gold on stucco
Dimensions: 57.8 × 38.1 × 3.8 cm (22 3/4 × 15 × 1 1/2 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1021
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/16188/manifest.json

Eric MacLagan and Margaret H. Longhurst, Victoria and Albert Museum. Department of Architecture and Sculpture, Catalogue of Italian Sculpture, vol. 1 (London, 1932), p. 94, under no. A5-1924
W.R. Valentiner, Italian Gothic and Early Renaissance Sculptures, exh. cat., Detroit Institute of Arts, Detroit, 1938, [p. 3, 5], no. 75, ill.
Allen Stuart Weller, Francesco di Giorgio 1439-1501 (Chicago, 1943), p. 97, fig. 30.
John Pope-Hennessy, “A Cartapesta Mirror Frame,” Burlington Magazine 92 (1950), pp. 288-91. 
Gertrude Coor, Neroccio de’ Landi 1447-1500 (Princeton, 1961), pp. 7, 56-7, 62-3, 67, 79, 95-6, n. 335, 105, 164, no. 9, fig. 38
John Pope-Hennessy and Ronald Lightbown, Catalogue of Italian Sculpture in the Victoria and Albert Museum. Eighth to Fifteenth Century (London, 1964), p. 289, under no. 298.
Enzo Carli, “Two Stucco Reliefs by Neroccio di Bartolomeo” in Wendy Stedman Sheard and John T. Paoletti, eds., Collaboration in Italian Renaissance Art, (New Haven and London, 1978), p. 25, n. 5.
Laurence Kanter in Keith Christiansen et al., Painting in Renaissance Siena 1420-1500, exh. cat., The Metropolitan Museum of Art, New York, 1988, pp. 330-32, no. 70, ill.

The Detroit Institute of Arts, Italian Gothic and Renaissance Sculture, January 7–February 20, 1938, cat. 75; ill. pp. 3, 5 of introduction z9.
The Metropolitan Museum of Art, Painting in Renaissance Siena, 1420–1500, December 20, 1988–March 19, 1989, cat. 70.

Stefano Bardini, Florence, by 1914; sold to Martin A. Ryerson (died 1932), Chicago [Ryerson’s notebook of his purchases records a Neroccio bought of Bardini in Florence on April 25, 1914 along with two other sculptures, Art Institute Archives, copy in curatorial file]; bequeathed to the Art Institute, 1933.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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