Virgin and Child Enthroned with Two Angels Holding a Crown

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1510

Attributed to Ansano Ciampanti (Italian, active 16th century)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Ansano Ciampanti
Title: Virgin and Child Enthroned with Two Angels Holding a Crown
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1505–1515
Medium: Tempera on panel
Dimensions: 107.8 × 46.5 cm (42 3/8 × 18 5/16 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1016
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/16174/manifest.json

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, 1920), p. 64.
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago, May 1922), p. 74.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1923), p. 74.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 181.
Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 320.
Bernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 275.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 264.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 232, 334, 571.
Everett Fahy, Some Followers of Domenico Ghirlandajo (New York and London, 1976), p. 174.
Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 158–61, ill.
Marion Wheeler, Her Face: Images of the Virgin Mary in Art (Cobb, California, 1998), p. 156, fig. 137.
Riccardo Massagli, “La bottega dei Ciampanti: il Maestro Stratonice e il Maestro di San Filippo,” Proporzioni, 2–3 (2003), pp. 89, 91–92.
Gigetta Dalli Regoli, “I pittori nella Lucca di Matteo Civitali, da Michele Ciampanti a Michele Angelo di Pietro,” in Dario Cimorelli, Matteo Civitali e il suo tempo: Pittori, scultori e orafi a Lucca nel tardo Quattrocento, exh. cat. (Museo Nazionale di Villa Guinigi, Lucca, 2004), pp. 122–23, fig. 37.
Maurizia Tazartes, Fucina lucchese: Maestri, botteghe, mercanti in una città del Quattrocento (Pisa, 2007), p. 111 n. 313, fig. 117.

Chicago, Service Men’s Center (176 W. Washington), 1942–43, no cat.

Elia Volpi, Florence, to 1910; sold in his sale, Jandolo and Tavazzi, Florence, April 28, 1910, no. 376, as Tuscan School, fifteenth century. Martin A. Ryerson (died 1932), Chicago, by 1914; intermittently on loan to the Art Institute from 1914; bequeathed to the Art Institute, 1933.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Suggested Terms

See all hours

Virgin and Child Enthroned with Two Angels Holding a Crown

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.