Portrait of Mary of Modena

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1673

Attributed to Nicholas Dixon (English, c. 1645–after 1708)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Nicholas Dixon
Title: Portrait of Mary of Modena
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1668–1678
Medium: Watercolor on vellum
Dimensions: 23.2 × 18.9 cm (9 1/8 × 7 7/16 in.); Framed: 25.7 × 21.3 cm (10 1/8 × 8 3/8 in.)
Credit Line: Colonel Alexander F. and Jeannie C. Stevenson Memorial Collection
Reference Number: 1962.1063
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/16014/manifest.json

Art Institute of Chicago, European Portraits 1600-1900, exh. cat. (Chicago: Art Institute, 1978), 152-3, no. 43b (ill.).
Van Dyck, Rembrandt, and the Portrait Print, Victoria Sancho Lobis with essay by Maureen Warren, publisher The Art Institute of Chicago, distributed by Yale University Press, New Haven and London (2016)

Art Institute of Chicago, European Portraits, 1600-1900, July 8-Sep. 11, 1978, cat. 43b.
Art Institute of Chicago, Van Dyck, Rembrandt, and the Portrait Print; Mar. 5 - Aug. 7, 2016, cat. 112.

John Pierpont Morgan, Esq. (died 1913), London and New York, before 1913; by descent [Christie’s 1935]; sold, Christie’s, London, June 25, 1935, lot 386. W. Russell Button Gallery, Chicago; sold to Mary Louise Stevenson (1875-1964), Chicago, Jan. 31, 1962 for $500 [W. Russell Button Gallery invoice]; given to the Art Institute of Chicago, 1962.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.