Caricature of Auguste Vacquerie

CC0 Public Domain Designation

Prints and Drawings

c. 1859

Claude Monet (French, 1840–1926)
after Nadar (French, 1820–1910)

Status: Currently Off View
Department: Prints and Drawings

Artist: Claude Monet
Title: Caricature of Auguste Vacquerie
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1855–1860
Medium: Graphite on tan wove paper
Inscriptions: Not signed
Dimensions: 28.4 × 17.6 cm (11 3/16 × 6 15/16 in.)
Credit Line: Mr. and Mrs. Carter H. Harrison Collection
Reference Number: 1933.897
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/15826/manifest.json

Hugh Edwards, “The Caricatures of Claude Monet,” Bulletin of the Art Institute of Chicago 37, 1 (Jan. 1943), p. 71.
Charles Merrill Mount, Monet, a Biography (Simon & Schuster, 1966), p. 396 (ill. after p. 191).
Raymond Cogniat, Monet and His World (Viking, 1966), pp. 9 (ill.); 131.
Pierre Georgel, “Monet, Bruyas, Vacquerie et le Panthéon Nadar,” Gazette des beaux-arts 72 (Dec. 1968), pp. 331–34, fig. 1.
Mitsuhiko Kuroe, Monet (Shueisha, 1970), p. 97 (ill.).
Daniel Wildenstein, Claude Monet (Fratelli Fabbri, 1971), p. 89, no. 29 (ill.).
Rodolphe Walter, “Claude Monet as a Caricaturist: A Clandestine Apprenticeship,” trans. Eric Young, Apollo 103 (June 1976), pp. 489–91.
Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), pp. 69–70, no. 4A11.
Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 148, cat. D505 (ill.).
“Cat. 1: Caricature of Auguste Vacquerie,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470.

New York, Wildenstein and Company, “A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny,” Apr. 11–May 12, 1945, cat. 84.40
Williamstown, Mass., Sterling and Francine Clark Art Institute, “The Unknown Monet: Pastels and Drawings,” June 24–Sept. 16, 2007, pp. 39–40, fig. 31; 300; Royal Academy, London, March 17–June 10, 2007.
Art Institute of Chicago, “Monet and Chicago,” Sept. 5, 2020-June 14, 2021.

Alfred Dussueil (1878–1927), Paris [Wildenstein 1991 and Durand-Ruel Archives]. Sold by Henri Cottereau, Paris, to Carter H. Harrison (1860–1953), Chicago, winter 1927–28 [Carter H. Harrison, “A brief statement of where and how I acquired the various items in the collection of drawings I have given to the Art Institute … ,” Oct. 18, 1934]; given to the Art Institute of Chicago, 1933.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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