Two-Armed God Ganesha Holding a Bowl of Sweets

c. 3rd/4th century

India
Uttar Pradesh, Mathura region

Status: On View, Gallery 141
Department: Arts of Asia

Title: Two-Armed God Ganesha Holding a Bowl of Sweets
Place: Mathura (Object made in:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 201 CE–400 CE
Medium: Sandstone
Dimensions: 19.3 × 11.2 × 5.6 cm (7 9/16 × 4 3/8 × 2 3/16 in.)
Credit Line: James W. and Marilynn Alsdorf Collection. Gift of Marilynn Alsdorf
Reference Number: 2021.245
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/153513/manifest.json

Stella Kramrisch, Manifestations of Shiva (Philadelphia: Philadelphia Museum of Art, 1981), 74–75, cat. 61.
Sara L. Schastok, The Samalaji Sculptures and 6th century Art in Western India (Leiden: E.J. Brill, 1985), 59, fn. 10.
Pratapaditya Pal with contributions by Stephen Little, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection (Chicago: The Art Institute of Chicago in association with Thames and Hudson, 1997), 51 (ill.), 284–85, cat. 54.

Philadelphia Museum of Art, Manifestations of Shiva, Mar. 29–June 7, 1981, cat. 61; Fort Worth, TX, Kimbell Art Museum, Aug. 1–Sept. 27, 1981; Seattle Art Museum, Nov. 25, 1981–Jan. 31, 1982; Los Angeles County Museum of Art, Mar. 23–May 5, 1982.
Art Institute of Chicago, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection, Aug. 2–Oct. 26, 1997, cat. 54.

With James Singer, Oriental Art, London, by Feb. 21, 1979 [this and the following according to receipts from James Singer, Feb. 21 and Mar. 1, 1979; copies in curatorial object file]; sold to James W. Alsdorf (1913–1990) and Marilynn B. Alsdorf (1925–2019), Winnetka and Chicago, IL, Feb. 21, 1979; by descent to Marilynn B. Alsdorf, Chicago, 1990 [on long-term loan to the Art Institute, Sept. 17, 1997; publicly promised as a gift to the Art Institute of Chicago, 1997; signed a promised gift agreement for the work, 2002]; given to the Art Institute of Chicago, 2021.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.