Fisherman's Cottage

CC0 Public Domain Designation

1906

Harald Sohlberg
Norwegian, 1869-1935

Status: On View, Gallery 245
Department: Modern Art

Artist: Harald Oscar Sohlberg
Title: Fisherman's Cottage
Place: Norway (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1906
Medium: Oil on canvas
Dimensions: 109 × 94 cm (43 × 37 in.)
Credit Line: Gift of Edward Byron Smith
Reference Number: 2000.1
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/152437/manifest.json

Christian Krohg, Dagens Nyt (Kristiana) (Oct. 15, 1908).

New York, American Art Galleries, Exhibition of Contemporary Scandinavian Art, Dec. 10-25, 1912, cat. 155; Buffalo, Albright Art Gallery, Jan. 4-26, 1913; Chicago, The Art Institute of Chicago, Feb. 25-Mar. 16, 1913; Toledo and Boston, 1913.
San Francisco, Panama-Pacific International Exposition, Norwegian section, Feb. 20–Dec. 4, 1915, no. 275D.
Venice, VII. Esposizione internazionale d’arte della Città di Venezia, Norwegian room, Apr.–Oct. 1970, no. 42, as Casa sulla costa del mare.
Toronto, The Art Gallery of Ontario, The Mystic North: Symbolist Landscape Painting in Northern Europe and North America, 1890-1940, Jan. 13–Mar. 11, 1984, cat. 74; Cincinnati Art Museum, Mar. 31- May 13, 1984.
New York, National Academy of Design, Edvard Munch/Harald Solhberg: Landscapes of the Mind, Oct. 12–Jan. 14, 1996, cat. 103.
San Francisco, de Young Museum, Jewel City: Art of the Panama-Pacific International Exposition, Oct. 17, 2015–Jan. 10, 2016.
Oslo, Nasjonalmuseet for kunst, arkitectur or design, Harald Sohlberg: Infinite Landscapes, Sept. 27, 2018–Jan. 13, 2019; London, Dulwich Picture Gallery, Feb. 13–June 2, 2019.

Byron Smith, Chicago, 1914; Edward Byron Smith, Chicago, by 1984; Art Institute of Chicago, 2000.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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