The Three Judges

CC0 Public Domain Designation

Prints and Drawings

1858/60

Honoré Victorin Daumier
French, 1808-1879

Status: Currently Off View
Department: Prints and Drawings

Artist: Honoré-Victorin Daumier
Title: The Three Judges
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1858–1860
Medium: Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper
Dimensions: 36.3 × 53.8 cm (14 5/16 × 21 3/16 in.)
Credit Line: Helen Regenstein Collection
Reference Number: 1968.160
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/151548/manifest.json

Arsene Alexandre, Honoré Daumier, l’Homme et l’Oeuvre (Paris, 1888) p. 378.
Eduard Fuchs, Der Maler Daumier (Munich, 1927), no. 192a (ill.).
The Art Institute of Chicago Annual Report, (1967-1968) (ill.).
K. E. Maison, Honoré Daumier: Catalogue Raisonné of the Paintings, Drawings, and Watercolors, 2 (Greenwich, Conn., 1968), no. 641 (ill.).
John Maxon, The Art Institute of Chicago (London, 1970), p. 154 (ill.).
Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century in The Art Institute of Chicago (Chicago, 1979), p. 44, no. 2D4.
Richard Brettell, French Salon Artists 1800-1900 (Chicago, 1987), pp. 41-43, and 117 (ill.).
Margaret Haggstrom and Judy Fromer, Portes Ouvertes (1997).

Geneva, Musée d’Art et d’Histoire, “Tableaux, Dessins et Sculptures de l’Ecole Française du 19ème Siècle,” 1918, cat. 154.
Munich, Neue Staatsgalerie München, “Sammlung Walter Bareiss,” 1965.
Palm Beach, Fla., Society of Four Arts, “Drawings from The Art Institute of Chicago,” January 5–27, 1974, cat. 9 (ill.).
The Art Institute of Chicago, “The Helen Regenstein Collection of European Drawings,” 1974, pp. 138-39, cat. 68 (ill.), cat. by Harold Joachim.
The Art Institute of Chicago, “The Regenstein Collection of European Drawings,” 1985-1986.
Ottawa, Canada, Musée des Beaux-Arts, “Daumier,” June 11-September 6, 1999, cat. 286.
London, Royal Academy of Arts, “Daumier: Visions of Paris”, October 26, 2013 - January 26, 2014, pp. 16, 140-141, cat. 77 (ill.).

Possibly M. Guyotin, by 1888 [according to Alexandre 1888]. Behrens, Hamburg [according to Fuchs 1927]. Baron von Simolin, Berlin, by 1927 [according to Fuchs 1927]. Knoedler and Company, New York [according to Paris 1999]. Sold, Gutekunst & Klipstein, Bern, November 24, 1955, lot 5, to Conrad Bareiss, Zurich [according to a letter from Walter Bareiss dated March 19, 2003 in curatorial file]; given by Conrad Bareiss to his son, Walter Bareiss, Greenwich, Conn., 1958 [according to Walter Bareiss]; Walter Bareiss, to around 1968 [according to Walter Bareiss]. Sold by E. V. Thaw and Company, New York, to the Art Institute, 1968.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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