Pen and brown iron gall ink and brush and brown wash, with black chalk (recto) and black chalk (verso) on off-white laid paper, tipped on to ivory laid paper
Inscribed recto, lower center on mount, in graphite: "19"
277 × 199 mm (primary support); 301 × 221 mm (secondary support)
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
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George Knox, “The Orloff Album of Tiepolo Drawings,”Burlington Magazine (June 1961), pp. 269–75, fig. 104.
Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 66, cat. 37 (ill.).
Art Institute of Chicago, “Gifts of a Lifetime, Old Master Drawings,” Dec. 11, 1998–Mar. 28, 1999, checklist 27.
Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 66, cat. 37 (ill.).
Prince Alexis Orloff; sold, Galerie Georges Petit, Paris, Apr. 29–30, 1920, lot 84, to “Pauline,” probably Richard Owen; Tomás Harris. Sold, Sotheby’s London, July 2, 1984, lot 123, to Dorothy Braude Edinburg, Brookline, MA.; given to the Art Institute of Chicago, 2012.
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