Inscribed and dated recto, lower left, in graphite: "Rectory. Binfield / Sunday Decr. 8 1816"; inscribed verso, upper center in graphite: "JV [?] / Christ [?]"; upper right, in graphite: "1914"; lower center, in graphite: "VK289" [encircled]; lower right, in graphite: "J[?]…/... /…"
89 × 117 mm
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Ian Fleming Williams, “The Honeymoon Sketch-Book,” Old Water-Colour Society’s Club Annual LXI (1986), p. 22, no. 26, fig. 14.
Ian Fleming Williams, Constable and His Drawings (London, 1990), p. 144.
Graham Reynolds, The Early Paintings and Drawings of John Constable (New Haven, 1996), p. 231, cat. 16.91, pl. 135.
Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 76, cat. 47 (ill.).
Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 76, cat. 47 (ill.).
John Postle Heseltine (1843–1929), London; sold, Sotheby’s, London, Mar. 25, 1920, either lot 123A or part of lots 124 or 126. W. S. Corder. Anthony Reed, 1986 [Reynolds 1996]. Sold, Sotheby’s, London, Mar. 12, 1987, lot 77 to Dorothy Braude Edinburg, Brooklin, MA.; given to the Art Institute of Chicago, 2013.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.