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Kettle

A work made of hard-paste porcelain, brown ground (fond laque), black enamel, and gilding; silver-gilt and ebony mounts.
CC0 Public Domain Designation

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  • A work made of hard-paste porcelain, brown ground (fond laque), black enamel, and gilding; silver-gilt and ebony mounts.

Date:

1783/84

Artist:

Sèvres Porcelain Manufactory
French, founded 1740
Probably gilded by Charles-Eloi Asselin
French, 1743–1804
Mounts probably designed by Jean-Nicolas Bastin
French, died 1785

About this artwork

This kettle, made at the Sèvres porcelain manufactory outside Paris, illustrates a story recounted by the ancient Roman historian Titus Livius, known in English as Livy. In 390 B.C., when Rome was under siege, a plebeian (commoner) named Albinius was fleeing the city, transporting his family in a cart. He encountered the vestal virgins, the guardian priestesses of the sacred flame of Rome, who were escaping on foot carrying their ritual vessels. Albinius offered his cart to the priestesses, thus performing a noble deed exhibiting both piety and gravitas, or seriousness of purpose. The kettle is hard-paste porcelain, made from a mixture of kaolin (white clay made from broken down feldspathic rock) and petuntse (chinastone) that is glazed with powdered feldspar and fired at high temperatures (about 2372° F, or 1300° C). The porcelain is covered with a deep brown glaze, called fond laque (literally “lacquer glaze”) for its resemblance to lacquer. The painters at Sèvres developed this technique in about 1780. The figures, in matte gold and outlined in black enamel, are called figures étrusques (Etruscan figures) in Sèvres’ records, an allusion to the ancient vases that were so fashionable in the Neoclassical era.

Status

Currently Off View

Department

Applied Arts of Europe

Artist

Manufacture nationale de Sèvres (Manufacturer)

Title

Kettle

Place

Sèvres (Object made in)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

1783–1784

Medium

Hard-paste porcelain, brown ground (fond laque), black enamel, and gilding; silver-gilt and ebony mounts

Dimensions

20.1 × 19.1 × 14.2 cm (7 7/8 × 7 1/2 × 5 9/16 in.)

Credit Line

Harry and Maribel G. Blum, Annette M. Chapin, Kay and Frederick Krehbiel, and Mr. and Mrs. Joseph Varley endowments; through prior acquisition of Richard T. Crane, Jr.

Reference Number

1998.517a-b

IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

https://api.artic.edu/api/v1/artworks/151398/manifest.json

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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