Christian Zervos, Pablo Picasso III (Paris, 1961), p. 55, no. 155 (ill.).
Wilhelm Boeck and Jaime Sabartés, Picasso (New York, 1955), p. 465, no. 81 (ill.).
The Picasso Project, Picasso’s Paintings, Watercolors, Drawings, and Sculpture: A Comprehensive Illustrated Catalogue 1885–1973, From Cubism to Neoclassicism 1917–1919 (San Francisco, 1995), no. 18-185 (ill.).
New York, Marlborough Gerson Gallery, “A Tribute to Curt Valentin,” November–December 1963, cat. 180.
Wellesley, Mass., Wellesley College Art Museum, 1973.
Boston, Museum of Fine Arts, “Picasso: Master of Line,” July 6–September 30, 1973.
Boston, Museum of Fine Arts, 1979.
Wellesley, Mass., Wellesley College Art Museum, 1990.
The Art Institute of Chicago, “Drawn to Form: Modern Drawings,” June 11–September 7, 1999, checklist 42.
The Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 193, cat. 142 (ill.).
Art Institute of Chicago, “Picasso and Chicago”, February 20-May 12, 2013, hors cat.
Jacques Sarlie (c. 1915–1988), New York; sold, Sotheby’s, London, October 12, 1960, lot 12, to Marlborough-Gerson Gallery, New York; sold to Dorothy Braude Edinburg, 1963; given to the Art Institute, 1998.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .