Possibly Paris, Chez Paul Rosenberg, Exposition d’œuvres de quelques peintres du XXe siècle, May–June 1927, cat. 30, as Femme assise.
New York, Paul Rosenberg and Company, “19th and 20th Century French Drawings and Watercolors,” February 4–March 2, 1963, cat. 19.
Wellesley [MA] College Art Museum, Two Women Collect, Apr. 2–25, 1976, no cat.
Wellesley, Mass., Wellesley College Museum, “One Century: Wellesley Families Collect,” April 15–May 30, 1978, cat. 46.
Boston, Institute of Contemporary Art, Twentieth Century Drawings from Massachusetts Collections, July 10–Sept. 2, 1979, exhibition brochure, no cat. no.
Boston, Museum of Fine Arts, The Modern Tradition: Twentieth Century Drawings and Watercolors, Jan. 26–June 22, 1980, no cat.
The Art Institute of Chicago, “Drawn to Form: Modern Drawings,” June 11–September 7, 1999, checklist 33.
Düsseldorf Germany, Kunstsammlung Nordrhein-Westfalen, “Henri Matisse: Figure, Color, Space,” October 29, 2005-February 19, 2006, p. 132, cat. 44 (ill.).
The Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, pp. 15, 146, and 191, cat. 140 (ill.).
The Art Institute of Chicago, “Modern and Contemporary Works on Paper,” March 24-September 13, 2009, no cat.
The artist to the Paul Rosenberg Gallery, New York, by winter 1929 [Ilda François, Paul Rosenberg and Company, to James Glisson, email, June 7, 2011 in curatorial file]; sold to Dorothy Braude Edinburg, June 23, 1964 [invoice]; given to the Art Institute, 1998.
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