Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Vivian Endicott Barnett, Kandinsky: Watercolors Catalogue Raisonne II (London, 1992), p. 19, no. 562 (ill.).
Wellesley. Mass., Wellesley College Art Museum, “Two Women Collect,” April 2–25, 1976.
Boston, Museum of Fine Arts, January 26–April 27, 1980.
The Art Institute of Chicago, “Drawn to Form: Modern Drawings,” June11–September 7, 1999, checklist 21.
The Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, pp. 168-169, cat. 120 (ill.).
Ella Winter Stewart, London [Barnett 1992]. Marlborough Fine Art Limited, London [Barnett 1992]. Sold by E. V. Thaw and Company, New York, to Kornfeld and Klipstein, Berne, November 1965 [inventory no. 47422; letter from Christine Stauffer of Galerie Kornfeld of January 8, 2004 in curatorial file]; sold to Robert M. Light, Boston, May 1968 [letter from Christine Stauffer]; sold to Dorothy Braude Edinburg, June 3, 1968 [invoice]; given to the Art Institute, 1998.
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