Graphite, with traces of red pencil on ivory laid paper, fixed
Signed recto, lower right, in graphite: "Juan Gris"
355 × 285 mm
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Extended information about this artwork
Juan Antonio Gaya-Nuño, Juan Gris (Barcelona, 1974), pp. 35 and 240, no. 54.
Gundolf Winter, “Zur Genese der kubistischen Bildvostellung bei Picasso, Braque, und Gris,” Zeichnungen und Collagen des Kubismus: Picasso, Braque, Gris, exh. cat. (Bielefeld, Germany, 1979), pp. 352–353, fig. 16.
Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago, 2006), p. 145, fig. 1.
Cambridge, Mass., Fogg Art Museum, December 9, 1967–March 29, 1968.
Waltham, Mass., Dreitzer Gallery, Brandeis University, “50 Drawings by 50 Modern Masters,” February 22–April 5, 1970.
Wellesley. Mass., Wellesley College Art Museum, “Two Women Collect,” April 2–25, 1976, as Cubist Drawing.
Wellesley. Mass., Wellesley College Art Museum, 1990, as Still Life.
The Art Institute of Chicago, “Drawn to Form: Modern Drawings,” June 11–September 7, 1999, cat 19.
Sold by Galerie Louise Leiris, Paris, to Dorothy Braude Edinburg, March 1963; given to the Art Institute, 1998.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.