Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
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K. T. Parker and J. Mathey, Antoine Watteau: Catalogue complet de son oeuvre dessiné (F. de Nobele, 1957), p. 10, cat. 59 (ill.).
Marianne Roland Michel, Watteau: Un Artiste au XVIIIe siècle (Flammarion, 1984), p. 130.
Margaret Morgan Grasselli and Pierre Rosenberg, Watteau, 1684–1721, exh. cat. (Washington, D.C., 1984), p. 66, under D.6.
Pierre Rosenberg and Louis-Antoine Prat, Antoine Watteau 1684–1721: Catalogue raisonné des dessins
(Milan, 1996), pp. 150–51, no. 95 (ill.).
Paris, Galerie Cailleux, “Le Dessin français de Watteau à Prud’hon,” 1951, cat. 166.
Paris, Galerie Cailleux, “Watteau et sa generation,” 1984, cat. 34.
The Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 51, cat. 25 (ill.).
Camille Groult (1837–1908), Paris; by descent to his son, Jean Groult (1868–1951); sold, Hôtel Drouot, Paris, November 20, 1941, under lot 6, to Tony Mayer; sold, Galerie Charpentier, Paris, December 3, 1957, lot 20. Galerie Cailleux, Paris, by 1968 [Paris 1968; stamp (Cx; not in Lugt), lower left, in black]; sold to Dorothy Braude Edinburg, December 22, 1976; given to the Art Institute, 1998.
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